I won't say I liked the plot in this book as well as others I've read, but my husband and I - both long-time fans of the Spenser series - agree that the Boston private eye's "voice" here is more true to that of original series author, the late Robert B. Parker. In 2011, Parker's estate chose Ace Atkins to carry on the legacy, and he's written - if my research is correct - six Spenser books prior to this one (all of which we've read and enjoyed).
Twenty years after an extremely valuable El Greco painting was stolen from a ritzy Boston art museum, it's whereabouts remain unknown. One of Spenser's old friends who's spent years trying to solve the case is dying, and he doesn't want to exit this world amid unfinished business. So, he asks Spenser to take on the case and insists that the museum director and chief board member go along with the arrangement. Uppity creatures that they are, they hold their noses and agree - or so it appears. Sweetening the pot is the chance at a $5 million reward, and the lengths to which some characters will go to get a piece of that action isn't surprising.
The trail leads to some very shady characters, several with mob connections and not-so-pleasant past encounters with Spenser, who gets capable assistance from Vinnie Morris - a criminal Spenser has come to (for the most part) trust. Conspicuous in his absence, though, is Spenser's long-time pal and back-up guy, Hawk, who's said to be somewhere in South America cavorting with a woman (despite the fact that the book description at Amazon inexplicably claims Spenser gets help from both Vinnie and Hawk). Since Hawk's presence has been rather limited in the last couple of books in the Atkins series, I can't help but suspect that he's being phased out. Frankly, IMHO, Hawk hasn't been the same since his words were crafted by his creator; still, I love the guy and hope he's just on hiatus.
Most of the book is just Spenser doing what he does best; following leads, chowing down (sometimes with his girlfriend, Susan Silverman), interjecting amusing one-liners and trying his best not to get killed. The investigation puts him in contact with old police colleagues and members of the aforementioned mob, most of whom would never get invited to Spenser's wedding (should he and Susan ever decide to tie the knot, which is unlikely). Along the way, the list of characters with names ending in "i" or "o" grew too long for me to keep them straight, but in the end, Spenser prevails as usual (and with a little twist, yet).
Bottom line? A quick and easy read and another solid entry in an excellent series.
Robert B. Parker's Old Black Magic by Ace Atkins (G.P. Putnam's Sons, May 2018); 336 pp.
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