THE NEW HOME

4 stars out of 5

If there's any character in any book who personifies the old maxim, "Just because you're paranoid doesn't mean they're not out to get you," it's Freya Northcott, the main character in this book. But honestly, knowing that didn't decrease my urge to throttle her most of the way through the story. In fact, when other characters urged her to take anxiety-relieving drugs, I kept hoping they'd ignore her refusals, tie her down and get 'em in her one way or another.

But paranoia also can make for a don't-want-to put-down adventure, and this tale qualifies. Freya and her fiance Jack have moved to a fixer-upper home in the London suburb of Waybridge, which is closer to the hospital where he works as a cardiology consultant. Freya is a developer/producer of video documentaries, but she has no projects in the works at present, in part because the pandemic has put the brakes on most parts of the economy. She also has a vivid imagination, which can be helpful in her professional endeavors. In her private life? Maybe yes, maybe no.

When she and Jack first meet Emily and Michael, the couple next door, for instance, Freya gleans a hint that Jack and Emily aren't strangers. When they meet the elderly Cathy, the neighbor on the other side of the house, Freya intuits that life isn't all roses for Emily and Michael. When Emily and her young daughter Thea go missing, then, it's an easy leap for Freya's ever-suspicious mind to conclude that Michael is the culprit.

Something else that happens to Freya sends her paranoid genes into overdrive; after that, she vows not to stop until she's found Emily and Thea even though logic tells her they're dead. From that point on, she pretty much goes bonkers - going places and doing things that "normal" people - including the police and her fiance - consider both illogical and downright illegal. All the while, she rationalizes that she's doing it in the best interests of her close friend Emily (whom she's known for all of a few days total).

Needless to say, at least some of Freya's illusions may be real; as readers learn along the way, several characters aren't exactly who they claim to be (i.e., they have secrets they'd rather not be revealed). So how does Freya sort out truth from fiction (maybe more to the point, how can readers know who's who and what's what)? By the somewhat surprising end - in fact, even after it - I'm not totally sure any of us has a good answer. But getting there certainly was an engaging adventure - as expected from this talented author - and I thank the publisher, via NetGalley, for the opportunity to read and review a pre-release copy.

The New Home by Chris Merritt (Bookouture, September 2021); 302 pp.