WHAT ABOUT THE BODIES

5 stars out of 5

After only a few chapters of this book, one thought came to the forefront of my mind: I cannot imagine how any human can come up with a plot this complex - devious, even - especially when it's so doggone easy to read and (though I detest the word) unputdownable. 

Basically, the story follows the adventures (or perhaps more accurately, misadventures) of three adults: Carla, Reed and Liz. Carla, who is desperately trying to make something of her life by opening a restaurant in small-town Locksbury, Pennsylvania, is a single mom to son Billy. The boy is her pride and joy, but he stutters and has some social anxiety issues - plus he's had a whopping secret for about a year he's just shared with his mother.

Reed, from the same small town, is mildly autistic; he lives with his brother, Gregg, and until she recently died, their mother. His goal in life at this point is to rectify a wrong that happened when his mother was interred in a mausoleum in the local cemetery.

Third is Liz, sort of a third-rate bar singer/songwriter who's even more desperate than Carla. But just as she gets a chance at the big-time, her sleazy boyfriend gets her involved with - and seriously indebted to - an ex-con who won't rest (or let her leave town) till she repays the money he claims they owe him.

Their trials and tribulations are described in great detail, making me wonder at times if things could possibly go any more wrong and eliciting a chuckle now and again. I truly wish I could say more, but anything else would take away the fun of reading about it for yourself and learning how it all ends. And read it you should - it's really well done. Many thanks to the publisher, via NetGalley, for giving me a few hours of pure delight by way of a pre-release copy.

What About the Bodies by Ken Jaworowski (Atlantic Crime, September 2025); 282 pp.

THE ARCHIVIST

4 stars out of 5

If I had to describe my impression of this book in a single word, it would be pretentious. As a journalist/editor, I was taught never to use a $20 word when a 50-cent one would do. Right from the git-go, this rule-of-thumb got turned on its head and never righted itself throughout the 700 pages (yes, I had to look up several words, the meanings of which I couldn't discern through context alone). Also off-putting to me is the length; with the exception of the Harry Potters, a couple of James Micheners and a Stephen King or two, anything more than 400 pages and I'm inclined to run the other way.

So all that said, I was surprised at being drawn in almost from the beginning and even more shocked when my enthusiasm grew as the pages trudged on. Even before the halfway point, in fact, I just didn't want to put it down, and for a book of this length, I finished it in record time.

At the heart of the story are two professional archivists - Nadia Fontaine and Emily Snow - both hired to organize the "papers" of Pulitzer Prize-winning author Raymond West at his alma mater, Regents University, where he's also a professor. But at different times; Nadia, who came first, drowned while surfing, deemed an accident by police. Emily followed, chosen because of her expertise and the need to finish Raymond's collection in time for the opening of the $25 million upgrade to the college library's eighth floor, where the collection will be housed (also, hopefully, coinciding with the announcement that Raymond has won the year's Nobel Prize for literature). Of even more importance, though, is that those big bucks are coming from none other than Raymond's starchy wife, Elizabeth - so stepping on toes by anyone on the library staff, in particular the Special Collections Department, is, well, frowned upon.

As Emily starts to make sense of her predecessor's work and assess what still needs to be done, though, she notices that several items that should be in the collection are missing. But why? Were they simply mislaid, and if so, where? Or were they deliberately removed, and if so, why? Aided in secret by her closest friend at the library, Joel, Emily gains access to what's called the "Dark Archives" - and tumbles headlong into evidence of a torrid love affair between Raymond and Nadia. That puts Emily in sleuth mode, trying her best to get to the truth about the missing papers and Nadia's untimely death.

At almost every juncture, she gets pushback from the library powers-that-be, all of whom seem intent on stopping her from throwing a monkey wrench into the plans for the library makeover and embarrassing the college and Raymond's wealthy wife even though they have no idea how much she's already learned. Even Emily isn't totally sure what it all means, but she's convinced that no matter how the chips fall, Nadia's story - as recorded by both Nadia and Raymond - needs to be made public despite the family's wishes. That, in turn, brings Emily's ethics into serious question and, ultimately, threatens to destroy not only her career, but her very life.

In the interest of full disclosure - and other readers' sensitivities - I will note that the book has plenty of graphic sex (culled from Nadia's super-detailed accounts of her trysts with Raymond). Also, I'll hope that Moleskine and Societe paid for the extensive product placement (if they didn't, the companies darned well should ante up for all those mentions). I'd also concede that the story could have been told in fewer pages by leaving out what some might deem irrelevant details (such as descriptions of clothing, where and what a character ate and drank). From my perspective, though, those details help shape the story and add substantially to character development (in other words, I'm fine with it). Finally, I think this could be a great motion picture or, maybe even better, a TV series.

All that comes together to make a very enjoyable, thought-provoking and at times scary tale I'm really glad I took the time to read. Many thanks to the publisher, via NetGalley, for giving me the opportunity to read and review a pre-release copy.

Oh, and for the record (which I'm including only on my book blog here), one of the main reasons I requested this book is the author's name - much the same as when I first read the Joe Pickett series by C.J. Boxx. My maiden name is Pickett, and I have a cousin on that side of the family named Rex (different last name, but close enough for horseshoes).

The Archivist by Rex Pickett (Blackstone Publishing, November 2021); 700 pp.

LAST GIRL GHOSTED

4 stars out of 5

Despite having a few issues with this story near the end - more on that later - I'm compelled to say this right up front: I do not recall the last time I read a book so thoroughly engrossing - mesmerizing, even - that except for a handful of chapters I started the night before, I polished off in one sitting even though it extended past my usual bedtime. For that alone, it gets a rousing WOW! from me.

Wren Greenwood is a successful advice columnist and blogger with a past that she's managed to hide from the rest of the world (she's created a whole new identity since her childhood years). For obvious reasons, she's a bit of a loner, and her best friend convinces her to sign up for an online dating app and dip her toes into the dating waters. When she does, she finds an intriguing guy named Adam; they meet, and for the first time in her life, Wren thinks she's in love. Heck, she even told him about her horrific past when he asked her to share with him something she's never told anyone else. Not long thereafter, the unthinkable happens. At their most recent arranged meeting, he's a no-show; his phone has been disconnected and all his online profiles have gone poof in the night. As young folks would say today, she's been ghosted.

To put it mildly, she's crushed. And determined to figure out why. Was he turned off by her past? Did something awful happen to him? Did he have a few secrets of his own? Then she gets a visit from private detective Bailey Kirk; his firm's client is the father of another young woman who went missing after hooking up with a guy online who's a dead ringer for her Adam. Could it be that he's a serial lover and leaver? Or, when a couple of other women met up with him turn out to be missing as well, maybe something worse?

The bulk of the story is told by Wren (and occasionally Bailey); some chapters flash back to scenes from Wren's frenetic childhood and a couple of the other victims. That's a bit confusing at first, but I didn't find it hard to follow. Plus, there's quite a bit of repetition as Wren and Bailey retell their experiences and conclusions with other characters - such as Bailey's boss and the man who helped Wren escape her horrific childhood and create a new life - so what's happened then and now gets reinforced throughout.

The conclusion, albeit nail-bitingly fast-paced, is where I lost some interest (not to mention respect for Wren, who up to that point had been a survivor with a sensible head on her shoulders in my view). Of course, I won't reveal what happened - so I'll just say that some parts (and characters) were very satisfying and others not so much. The epilogue, too, was a bit unsettling, bringing what I consider to be a surprising, and somewhat disappointing, turn of events.

But no matter; I base my reviews primarily on the quality of writing and plot originality, not on whether or not I agree with an author's perspective or don't "connect" with the characters. And trust me, that WOW! factor that struck me at the beginning was in place right to the end. Well done, and once again I thank the publisher, via NetGalley, for allowing me to read and review a pre-release copy. 

Last Girl Ghosted by Lisa Unger (Park Row, October 2021); 336 pp.

LITTLE WHISPERS

4 stars out of 5

Every time I start a book by K.L. Slater - this is my sixth - I know I'll be treated to a good story. It's not very often that I stay up later than usual to finish a book, but it happened here (granted, I had only two chapters left, but still).

This one begins not long after Janey Markham lost her mother, for whom she'd been providing care. She and her husband Isaac and young son Rowan have been able to make ends meet - barely - since she stopped working as a teaching assistant. But now, hope is on the horizon; Isaac, it seems, has landed a new job at nearly double his old salary. A bonus of paid moving expenses makes the switch to West Bridgford, England, irresistible. Sweetening the pot even more is the "perfect" house just waiting for them to buy.

Janey is surprised at the turn of events, but relieved; just before her mother passed away, she revealed a secret to her daughter - one that totally changed Janey's view of her world. Now, she thinks, she can start fresh - maybe even land a job at the posh private school Rowan will be attending - and no one will be the wiser.

Early on, though, she gets cold-shoulder treatment from a hoity-toity group of mothers who bring their kids to school each day (I felt a definite Stepford Wives vibe going on). They all dress to the nines and have homes far grander than Janie's, making her wonder whether she'll ever measure up. Gradually, they begin to "accept" Janey - or at least two of them do. The third, seemingly jealous of Janie's new friendship with Tanya, the woman she considers her bestie, sulks and makes snarky comments. That's disturbing to Janey, who doesn't have a clue as to why. But when Janey discovers that something may be amiss with Tanya's teenage daughter Angel - and an elderly neighbor warns her about getting too cozy with the snooty ladies - she begins to suspect her picture-perfect life may have a few cracks in it.

Then one day, Janey and her friend Tanya get schnockered drinking "fizzies" in the hot tub, and Janey spills the beans about her mother's secret. Isaac is livid, but Janey argues that her new friend would never betray her. That works, until it doesn't; something Janey sees threatens to disrupt Tanya's life, and she, in turn, threatens to let the rest of the community in on what she knows about Janey. For his part, Isaac isn't much help; despite his promise when they moved, his new job is demanding even more of his time than did his former one.

What's really going on - with the women and with her husband - is a question Janie desperately wants answered. But who can she trust? No one is talking, and suddenly Janey's life turns into a living hell. Readers learn the truth as the story progresses and comes to an exciting end. I did take a bit of an issue with Janey's so-called "shocking" secret; granted, it's not pretty, but neither did it seem to be devastating enough to nearly destroy her life. But overall, I give this one high marks - and thank the publisher, via NetGalley, for the opportunity to read and review an advance copy.

Little Whispers by K.L. Slater (Bookouture, May 2020); 259 pp.

SISTER OF MINE

4 stars out of 5   


Love-hate relationship? Sisters Penny and Hattie Grayson have taken it to a whole 'nother level. Now that I think about it, that's kind of the way I feel about this book. At one sitting, I loved it; at the next, not so much. The only thing my split brain could come together on is that I really didn't like either [twisted] sister.

That's not to say, though, that it's not a good book; in fact, I finished it easily in two days, actually carving out time to read more when I should have been doing other things. 

The two girls - Penny is the elder - have been bonded by shared secrets ever since childhood and their father's decision to walk out and their mother's subsequent (and untimely) death. Much later, that bond is fueled when a fire destroys Penny's home (and in it her abusive husband). Now, the sisters move into their old family home, trying to make a new life for themselves and escape the rumors, innuendos and hatred of former friends and neighbors over something their gone-missing father did.

Their uneasy truce continues until the day Penny meets a handsome, intriguing new teacher and introduces him to Hattie. Ever the outgoing, charming sister, Hattie charms him away from Penny, who rationalizes that she "owes" it to Hattie to give up her claim on the guy - to the point of supporting their marriage and agreeing to live together in the same house (a quote from the book offers one explanation for that: "Let no man put asunder. Let no man pull us under.")

From the first page, of course, it was clear that all's well wouldn't end well - the only question was when, and how, would it all start to unravel, and which sister would be the one to call, a la Shakespeare's Macduff, hold enough? Tension builds as the sisters continue to bicker - each afraid the other might spill the secret beans - and they grudgingly agree to a somewhat unique approach to motherhood. In the end, faced with a son whose behavior  appears to be fueled by his mother's and aunt's actions, everything comes to a head (amid a few surprises).

For my part, I was left with a few questions, not the least of which is what did their father do all those years ago to become a social pariah? Was their mother's death really an accident? And why did it take the local cop so many years to figure out the incongruity at the scene of the fire that killed Penny's husband?

All in all, though, this is a well-written book that those who enjoy psychological thrillers should enjoy, and the length makes it an easy read that's great for the beach or a doctor's waiting room. Many thanks to the publisher, via NetGalley, for the opportunity to read an advance review copy.

Sister of Mine by Laurie Petrou (Crooked Lane Books, August 2018); 304 pp.